Art as a Shared Space of Experience

In an era in which schools are increasingly understood as places of holistic personal development, encounters with art forms that speak simultaneously to language, emotion, and thought are gaining in significance. Since its founding in 1978 by the British theatre practitioner Peter Griffith, the White Horse Theatre has steadily expanded and today sees itself as such a space of experiences, a stage on which aesthetic education and language learning resonate with one another.

As Europe’s largest professional touring theatre performing in English, we reach around 400,000 young people and adults each year. Every performance is an invitation to schools and educational institutions to enrich their curriculum with a cultural dimension that opens new insights, shapes attitudes, and strengthens linguistic competence in a lasting way.

Theatre as an educational impulse

a case for aesthetic learning

Theatre possesses a unique power: it unites language, body, space, rhythm, and emotion into a living act of communication. For pupils, the foreign language becomes something immediate, tangible, and sensuous in the moment of performance, a linguistic reality that is grasped not merely with the intellect, but with the whole person.

This is why theatre pedagogy – understood as an aesthetic experience with a pedagogical purpose contributes meaningfully to the development of:

• listening comprehension in authentic communicative situations,
• verbal expression and linguistic agility,
• social and emotional intelligence,
• creative imagination,
• and, not least, a culturally informed awareness of the world.

In the context of an increasingly globalised society, this form of learning prepares young people to understand language as a key to perspective- taking and meaningful communication.

Professional Artists

Aesthetic excellence as the foundation of education and authenticity

The artistic quality of our productions is the result of a close collaboration with a broad network of professional theatre practitioners.

British and Irish Directors

As native English speakers, deeply rooted in their traditions and culture, they lead each production with a finely tuned sensibility for dramaturgy, aesthetics, and the learning needs of young audiences, creating interpretations that are both challenging and accessible.

Dramaturgs

Serving as the intellectual architects behind our productions, they condense material, choose linguistic registers with intention, draw upon literary and cultural traditions, and translate all this into forms that are both age-appropriate and artistically compelling.

Costume and Set Designers, Visual Designers, Musicians and Technical Specialists

Behind the scenes, they create the atmospheric worlds that captivate our audiences: spaces, colours, lighting, soundscapes. Every detail contributes to transforming a classroom, sports hall, or assembly room into a poetic space in which aesthetic experience becomes possible.

This carefully orchestrated collaboration across numerous artistic professions ensures that each tour exemplifies how professional cultural work can inspire, challenge, and enrich the educational context.

Language as an artistic process

Learning English through immersion

Our guiding principle, “Learn English through Theatre,” is not merely a method; it is a philosophy.

Language is not taught – it unfolds.

It emerges in playing, listening, empathising, and imagining.

Our actors, all professionally trained native speakers of English, shape their performances so that pupils:

• can follow the plot intuitively,
• encounter idiomatic English authentically,
• internalise rhythm and melody of spoken language,
• and gradually lose their inhibitions about engaging with the foreign language.

This aesthetic immersion becomes a gateway into the English language – low-threshold, motivating, yet intellectually stimulating.

A repertoire for different developmental and learning stages

For the 2025/2026 season, we present:

Primary level

The Tiger of the Seas –A poetic adventure about courage, friendship and imagination, easing younger children into the world of English-language theatre.

Intermediate

Sticks and Stones – A contemporary play about bullying, loyalty and moral decision-making encouraging young audiences to reflect on social dynamics and personal responsibility.

Advanced

The Great Gatsby – An abridged, atmospheric adaptation of this modern classic, linguistically demanding and rich in literary nuance. Perfect for advanced learners and in-depth literary studies.

A touring theatre that transforms spaces

The mobility of our theatre is an integral part of our educational mission, we bring culture directly to where young people are.

With professional yet adaptable stage technology, our teams transform almost any setting into an evocative performance space – whether an assembly hall, gymnasium, or community venue.

The White Horse Theatre ensures that the magic of theatre becomes accessible everywhere.

Long-Lasting Impact

Why Schools Trust Us

Feedback from schools consistently reports:

• noticeably increased motivation in English lessons,
• improved listening comprehension,
• deeper engagement with characters and themes,
• ldynamic question-and-answer sessions following performances,,
• and the powerful sense of having shared a meaningful cultural experience.

This collective response affirms:

Theatre has impact

And its impact endures – in lessons, in language, in thought.

Partnership with schools

A dialogue of equals

Our tour management supports educational institutions with professionalism from the first enquiry to the final applause. We understand the practical demands of school life and value:

• transparent communication,
• reliable planning,
• fair pricing,
• and a collaborative relationship grounded in mutual respect.

Our aim is that both staff and learners feel empowered in their work, in their curiosity, and in their educational journeys.

Cultural education as a shared responsibility

The White Horse Theatre seeks to open a form of language that reaches beyond grammar and vocabulary for young people:

A language of encounter, insight, and empathy.

We invite schools and teachers to join us on this path, we value every meaningful encounter with art as a step towards a more open, reflective, and linguistically confident society.